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“The free sites get a lot of traffic,” he says, also citing the growing popularity of webcam sites. Whether they use live sex webcams or edited films, Israeli porn websites make their money primarily from ads, according to the operator of the x-nxx site, who asked not to be identified. One of the women in the film, Alina Vladimirsky, says that bringing the camera into intimate moments fascinated both her and her partner – particularly as lesbians “who know what the porn world looks like nowadays.” Having the ability to remove the stigma that society ascribes to female sexuality enabled them “to create new boundaries from a place that isn’t dependent on social conditioning,” she adds. Although it’s for outside use, what’s done with it afterward becomes much less relevant,” she says. The moment porn documents an existing relationship, there’s no need to fulfill any commercial expectations.
There’s no shame in it there’s no weak woman, there’s no violence.”Īnd there’s another advantage, she notes. She explains that for one of the subjects, “She wasn’t making porn, she was documenting herself the way you document a child running through the park. Kolton believes porn that’s derived from an actual real-life relationship changes its essence. “We couldn’t find an existing definition for it, so in the end we called it ‘feminist pornography’ – which introduces the resistance, the political dimension,” she says. To present the film at a festival, she sought a term that would be disconnected from the violent history linked to pornography. “I asked them, ‘Did you feel like you were making pornography?’ They said no.” “I have a couple of girlfriends who filmed themselves having sex,” she says. As part of her work, she decided to make a film based on an existing relationship between two women. Kol Lior Kolton, a well-known LGBT activist, is responsible for dozens of projects at the Gan Meir Center in Tel Aviv, including artistic evenings on the subject of sex. “Ultimately, we’re talking about buying sex – it’s just that with pornography, technology enables it to multiply infinitely.” She adds that those who support the porn industry often do so under the cover of “hypocrisy, pretense and the cynical use of liberal rhetoric about freedom of occupation and freedom of expression.” “Pornography, prostitution and trafficking in women are three sides of the same phenomenon,” Herzog continues. “Even if a few women make porn and think it’s a wonderful thing that really respects the person, pornography is pornography. “It’s pulling the wool over people’s eyes,” she says. Herzog takes issue with Vital’s idealization of the porn industry. Actors make between 1,000 shekels and 2,000 shekels ($277 to $554) for a day’s filming. “There’s a conversation, you get to know the person – and if there’s no chemistry, the customer ends the conversation,” she adds. “It’s considered more authentic,” explains Vital. The conventional porn industry model of shooting scripted films has been changing in recent years, with live webcam broadcasts becoming more and more popular. “This business was created by girls, so everything that happens there is the result of our decisions,” says Vital. She says her answer was with the type of company she established, which she calls a cooperative in which the women have a say in the decision-making process. Like many others in the field, she’s had to grapple with the question of exploitation. She has made about 110 films over the years.
Mor Vital is a female director-producer of porn films that feature transgender women (who generally have sex with men). To this day, I think of myself as a survivor.”Īlthough most gay porn in Israel is made by men, not all of it is. I stayed with a friend for a month, and I just moved around like some kind of survivor. “My family didn’t really accept it, especially my father,” he says, adding that one day he just left home for Tel Aviv, “without telling anyone, without anything. He came out of the closet at 17 and recalls that it was a very difficult time. Koren grew up in the northern town of Ma’alot-Tarshiha. Her films generally feature transgender women. On the set of a film by female filmmaker Mor Vital.